Facility
Seating Plan
Stage
Acoustics
Loading Access
Technical Infromation
Overview
Part of the University Centre Farquhar Auditorium's attraction is
due to its unique architectural design. Built as part of the eight
million dollar University Centre complex designed by the Wade Williams
Partnership of Victoria, the Auditorium is the first "surround" hall
built in Canada. The prime objectives of the facility's design were
to provide good acoustics and sightlines from all seats. These objectives
were successfully met, evidenced by the Auditorium's national reputation
as an acoustic venue. The architectural design is enhanced by the
interior's stunning wood lined stage and creative lighting. The beautiful
Clearihue organ adds majesty to the environment and has become a
tourist attraction in its own right.
History
Hugh Ernest Farquhar (1910-1984) was educated at the Victoria
Provincial Normal School, the University of British Columbia and
the University
of Alberta. He taught
in elementary and secondary schools, then at Victoria Normal School
and Victoria College. In 1963, Dr. Farquhar became a professor
in the Faculty of Education at the new University
of Victoria.
After an early retirement he returned in 1971 as Dean of Education.
In 1972 he accepted the Presidency. One of his greatest contributions
was the planning and
development of the University Centre and Auditorium, which
he envisioned as the hub of the University's student, administrative
and cultural life.
The Auditorium's doors first opened to the strains of Beethoven's
9th Symphony, performed by the University of Victoria School
of Music Orchestra and Chorus, on September 28, 1978.
Since that acclaimed performance, the Auditorium's stage
has been graced by numerous classical and contemporary artists,
all attracted by its reputation as an intimate, versatile, and
acoustically pure hall.
Successful performances by
artists such as Oscar Peterson, Yehudi Menuhin, Spirit of the
West and
Ladysmith Black Mambazo have proven to be
unique and pleasurable experiences for both audiences
and performers.
|